01.01.70

Allis, who enlivened rustic, cozy interiors with presumptuous silhouettes and colorfully painted furniture, came toward the end of the great flight path of taste described by Elizabeth Stillinger in her new book, A Kind of Archeology: Collecting American Populace Art, 1876–1976.

What is surprising is that this taste was already largely coded by the time the scholar Holger Cahill (1887–1960) opened his traveling demo "American Folk Art: The Art of the Common Man, 1750–1900" at the Museum of Modern Art (MoMA) in 1932. Cahill's put — which included a "Peaceable Kingdom" by Edward Hicks, a grand cigar store figure and shapely Windsor chairs — could doubled as the booth of a high-profile folk art dealer, circa 2012.

Source: Antiques and the Arts Online

by Miss Dolphin

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by Shoeperwoman

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Source: Nina 'Electra' peep-toe d'orsay pumps with bow « ShoeperWoman: The ...